An in-depth look at OMD’s tenth studio album
With rave reviews – and a top five placing – for their latest album The Punishment Of Luxury, a near sell-out UK tour, plus long-overdue recognition for their pioneering synth-pop work, it’s been an incredible turnaround in fortunes for Orchestral Manoeuvres In The Dark, who reformed in 2005.
Back in the summer of 1996, it was a vastly different story, as singer Andy McCluskey prepared to release Universal, his third – and final – solo album under the OMD banner. Both McCluskey and Virgin Records had shifted the bulk of their chips in the direction of the album’s first single ‘Walking On The Milky Way’ but, by the time of its release, OMD were deemed to be past their sell-by date and Radio 1 passed on adding it to their playlist; causing a knock-on effect that would effectively sink its parent album. Shortly afterwards, a depressed McCluskey would slip into the shadows, before officially ending OMD in 1998.
Like the band’s previous album Liberator, it’s an album that has divided fan opinion over the years; whilst its lack of commercial success has somewhat coloured McCluskey’s own opinion of it. But this lyrically focused and well-produced collection has actually aged very well, and stands up against the best of the band’s back catalogue.
In an article for our sister site The Electricity Club, Barry Page take an in-depth look at the making of OMD’s often overlooked tenth studio album, using archived material and some exclusive new reminiscences from Andy McCluskey and some of the album’s key personnel: Universal Revisited